
A woman becomes entangled in her own obsession: the sight of an American soldier in a photograph depicting a horrific scene from the US prison Abu Ghraib in Iraq triggers something unexpected within her—a desire she cannot control, a fascination that both attracts and deeply disturbs her. The French original by Claudine Galea was published in 2010, but the dynamics described in *On the Edge* could not be more relevant today.
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